multi disciplinary artist
multi disciplinary artist
My practice explores the creative possibilities that exist between public art and outsider art. I enjoy making publically sited work that explores transitional spaces that “outsider art” often inhabits as well as bleeding these practices into work for more traditional gallery spaces.
My practice explores the creative possibilities that exist between public art and outsider art. I enjoy making publically sited work that explores transitional spaces that “outsider art” often inhabits as well as bleeding these practices into work for more traditional gallery spaces.
I’m particularly interested in found materials and adhocist approaches to construction. My structures are created using discarded materials and when dismantled are completely recycled or reused in other projects
I’m particularly interested in found materials and adhocist approaches to construction. My structures are created using discarded materials and when dismantled are completely recycled or reused in other projects
My ongoing research examines, maps and explores outsider art culture and adhocist practices here in Scotland as well as establishing links with northern European outsider organisations and artists.
My ongoing research examines, maps and explores outsider art culture and adhocist practices here in Scotland as well as establishing links with northern European outsider organisations and artists.
Ethnographic research lies at the centre of my creative process. I’m interested in exploring ideas that surround superstitions and belief systems in a wide variety of outputs from installations and films to drawing and printmaking.
Ethnographic research lies at the centre of my creative process. I’m interested in exploring ideas that surround superstitions and belief systems in a wide variety of outputs from installations and films to drawing and printmaking.
My practice is very experimental and my responses are constantly evolving as the work continues to develop. Initially I used art to explore existential loneliness and disconnection. The influence of outsider art has redefined my practice, creating a far more holistic approach as I now search for universal connections and bonds through the higher emotion of love.
My practice is very experimental and my responses are constantly evolving as the work continues to develop. Initially I used art to explore existential loneliness and disconnection. The influence of outsider art has redefined my practice, creating a far more holistic approach as I now search for universal connections and bonds through the higher emotion of love.